Event Entertainment News You Can Use
Tips to Determine an Event's Money Metrics, June/July 2005

Tips to Determine an Event's Money Metrics

Both composer Beethoven and Sally Bowles in Cabaret agree that even with the gift of creation of fine arts, money seems to be a key element to state those gifts. Even though money isn't the only metric, your event will still have to meet or exceed certain financial performance objectives. Sometimes those objectives will be tangible, such as sales revenue or profit, - and other times they will be intangible, such as increased goodwill, exposure, or some other future benefit. Below are five tips to determine an event's core money metrics.

1. Determine your financial goals for the meeting or event. Is it a host event? Are you looking to breakeven? Do you want to make a profit? If so how much or what percentage?

2. Calculate all of your "hard costs" expenses. That is, costs that are stable, that you are sure of, that will not change. If this is unclear, you can utilize the figures from the historical costs of this meeting or event or similar events that you have produced in the past.

3. Estimate your variable costs expenses. These are the costs that rise or fall depending on the amount of guests you will be having. There may be circumstances out of your control that could influence these expenses. For instance, dates (some dates that are during peak seasons will incur higher travel, venue, and accommodation costs), locations (some locations cost more than others), number of attendees, speaker expenses, food and beverage events, promotional requirements, and sources of funds (e.g. sponsors, donors, or attendees).

4. Forecast the total income items for your meeting or event. These can include: advertising revenues, concession sales, donations, exhibit/exposition booth rental fees, gifts in kind (fair market value), grants and contracts, interest income from investments, merchandise sales, registration fees, special event ticket sales, sponsorship fees, and vendor commissions.

5. Take the total of #4 (income) and subtract #3 (variable costs) and #2 (hard or fixed costs). Relate this number to your answer for #1 (your financial goal). This number represents your potential income for your event. If the number you obtain for your answer is negative, then you need to review your costs and determine where you can make changes. This is not about "cutting corners," it is about providing the best service and results for your client, based on their budget and objectives. Take a look at your established financial goal, item number 1. From a critical perspective, is it attainable and reasonable? What is the client's opinion? If, from your professional and expert opinion, you are not comfortable with the financial objective and do not think that it can be met, you must tell your client. This adds another risk factor to your event and you must work with the client to ensure that they have reasonable expectations that will come close to the actual outcome.

An example of how to find the breakeven point

All fixed entertainment costs (FC):
$6,000 - lighting
1,500 - sound
6,000 - talent fees
2,000 - labor (stage hands)
2,000 - musicians
200 - ASCAP fees
20,000 - administration
500 - signs
-------------------
$39,200 = Total FC

All variable costs (VC) are per person:
$10 - lunches for musicians, talent, and crew
3 - coffee breaks for musicians, talent, and crew
5 - printed programs for audience
30 - backstage passes
15 - radio rental
---------------
$63 = Total VC

Substitute the event numbers provided into the following breakeven formula to determine the registration fee required to meet the breakeven point for this event:
(number of registrants) x (registration fee) = $39,200 (fixed costs) + ( number of registrants) x ($63/ registrant)
Assume 600 people
600 x registration fee = $39,200 + (600) ($63)
registration fee = ($39,200 + $37,800)/600
registration fee = $77,000/600 registrants
registration fee = $128.33

It is a good idea to perform this calculation assuming a variety of attendance levels, for example, assume 200, 300, 400, 500 people to determine the best registration fee. There is an inverse relationship between the number of attendees and the registration fee--the more well-attended the entertainment event, the lower the registration fee. However, you should err on the side of caution. If actual registration is estimated to be between 300 and 400, you may want to use the 300-attendee figure to determine the registration fee, to account for no-shows and to ensure that you can meet your costs.

See Industry News: "Money Makes The World Go 'Round"
See Eddie Money, this month's featured Artist.

Mark Sonder, CSEP is the Chief Entertainment Officer of Mark Sonder Productions, a leading national entertainment agency providing headline talent and production services for large venues, corporations and associations. In addition, Sonder sits on the faculty of The George Washington University, Stratford University and Northern Virginia Community College. Event Entertainment and Production is the book published by Wiley authored by Sonder.