Event Entertainment News You Can Use
How Entertainment Companies Bill Their Clients, August/September 2005

There are a number of ways an entertainment company may charge for their services, based on the scope of the work, their required performance and effort, knowledge, expertise, and experience. Most companies will charge for their services in one of following four ways:

1) Consultant Fee: This will generally be a "flat fee," based on either providing an expert opinion, negotiating the rider requirements for a headliner, or another specific service that the meeting or event requires. This can be a payment per service, per quarter, year, or event.

2) Fixed Fee: Generally paid to an entertainment company for a multi-day program to handle all of the entertainment for all functions.

3) Hourly Rate: Some entertainment and production houses may charge by the hour but this is uncommon.

4) Percentage of Product or Services Sold: This is probably the most commonly used method for payment to an entertainment company. Generally a straight agency fee would be 10%. However, if the entertainment company is asked to do more than just the paperwork on an artist, the percentage may start at 20%. Artists' managers may make up to 50% of their artists' fee, which is built into the price of the artist. In comparison, most caterers mark up their product and services 300%.

It must be noted that when you hire an entertainment company, unless they are part of your company's payroll, you are hiring them as an independent contractor. The entertainment company may also utilize a combination of independent contractors and employees. Employees represent additional costs to the company, which would be billed back to the hiring company as part of their costs. In the U.S., these employee-related costs include the payment of Federal Income Tax withholding, Social Security (FICA), Medicare, and Federal Unemployment Insurance (FUTA). At the state level, additional amounts would include State Income Tax, State Unemployment Insurance (SUI), State Worker's Compensation Insurance, and State Disability Insurance (SDI). Other licenses or permits may be required, depending on the company's core business.

There are other cost factors to consider that are part of the production of a publicly attended event. These include compliance with certain federal regulations such as Americans with Disabilities Act (ADA), Occupational Safety & Health Administration (OSHA), Federal Communications Commission (FCC), and the Bureau of Land Management (BLM). At the state level, there are additional tiers of compliance and regulation including: CAL-OSHA (same as Federal, but specifically for the state of California), public or state park property use requirements, health and safety code, minimum wage/hiring requirements, Alcohol Beverage Control (ABC), public safety, and overtime calculation and payment requirements that may vary from state to state.

Understanding all of the cost factors that will add to your event's fixed costs is important in presenting a competitive price. But, it is difficult to compete on price alone if you do not have a cost advantage. Your cost advantage decreases with each additional layer of contracting. For example, if you are buying from someone who is buying from someone else, you may not have a cost advantage once all of their margins and markups are added into their price. Clearly, the more money you can save on products or services, the higher margin you may be able to earn or the lower the price you will be able to offer on to your client. Conversely, the most expensive provider is not always the best so price cannot always be a decision point. Use your network of contacts, other experienced industry professionals, and your production manuals from past events to hire the best professionals at the best rate.

See Tips on Saving Money and Getting the Most Impact from Your Entertainment Dollar.
See Jorge Santana, this month's featured Artist.

Mark Sonder, CSEP is the Chief Entertainment Officer of Mark Sonder Productions, a leading national entertainment agency providing headline talent and production services for large venues, corporations and associations. In addition, Sonder sits on the faculty of The George Washington University, Stratford University, Northern Virginia Community College and The University of the West Indies. Event Entertainment and Production is the book published by Wiley authored by Sonder.